This the first of Gustav Klimt’s truly religious paintings， in terms of depicting specific Christian imagery， has a haunting and powerful visual presence with the paradox of its simple rustic charm set against one of his typical decorative backdrop.

这是古斯塔夫·克里姆特第一幅真正意义上的宗教画作，描绘了特定的基督教意象。质朴的田园风貌和画家代表性的装饰背景似有抵触，呈现出强烈的视觉冲击，令人印象深刻。

The icons1 are fixed in a columnar structure of life which forms a wild vibrant floral mass growing up through the religious station. Unlike the previous farmhouse landscape from the same period， there is a greater sense of spatial depth and a brighter， more convincing management of light.

两具塑像固定在一根真人大小的柱状物上——烂漫野花沿着这个柱形祭台生长，形成了一个花柱。